The Amorous Servant is an excellent example of what makes Odyssey Theatre’s Theatre Under the Stars program so enjoyable. Besides high artistic quality on stage, the company itself does an admirable job of anticipating patrons’ needs in an outdoor performance environment. The Amorous Servant is an 18th century comedy by legendary Italian playwright Carlo Goldoni, … Continue reading “The Amorous Servant” another feather in Odyssey’s cap
By: Alexandra Milman 39 Blyth Blvd, written by Cullen McGrail and directed by Izzy Solis Lozano, is an interesting production which could be outstanding with just a little bit more work. Performed as part of the 2017 Youth Infringement Festival , 39 Blyth Blvd is about the proprietor of 39 Blyth Blvd, Mrs. M, who throughout the … Continue reading “39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play
Pardon Me, Prime Minister closes out Ottawa Little Theatre’s 104th season. This British farce, though a bit dated, has a snappy comic pace (especially in the second act) and a silly premise that makes it perfect for summer community theatre. In the Prime Minster’s office at 10 Downing Street at some point in the 1970s, … Continue reading “Pardon Me, Prime Minister” Makes for Perfect Summer Theatre
Edited by Caitlin Gowans The hype around #Canada150 has seemingly come and gone and like many others, I spent Canada Day in reflection. On this occasion there was an outpouring of ‘think pieces’ from white individuals, myself included, stating their discomfort or feelings of awkwardness in regards to celebrating Canada Day this year because of … Continue reading New Criticism & Writing From a Place of Privilege
This year’s Torchlight Shakespeare production from A Company of Fools continues their proud tradition of fun and fast-paced classical theatre, with only a hint of growing pains as they bring new performers into their fold. A Midsummer Night’s Dream is one of Shakespeare’s most performed plays, and in many ways is an ideal play for … Continue reading ‘Midsummer Night’ Keeps the ‘Dream’ Alive
Dicky Dicky: Dream Factory, What’s it building? The thing that everyone talks about in this show is the fact that the performers put literal pillow cases over the heads of the entire audience, after making them sign a waiver saying that they are participating voluntarily in the show, and are ineligible for a refund. I … Continue reading “Dicky Dicky Dream Factory;” What’s it Building?
I had my first day off in 4 months after the Ottawa Fringe let out on June 18th. That day off was real nice. And now I’m supposed to wrap up the festival this year. I’ve been on the road doing theatre, both Fringe-y and not, since April, and I have no plans to really … Continue reading Do you miss Fringe?
A musical about Residential Schools. The beauty of works in the musical genre, from my perspective, is that they have the ability to transcend the bounds of the theatre in ways most other kinds of productions cannot to become cultural phenomena. They can bridge the gap between addressing things that remain unspoken in popular society, … Continue reading Review: “Children Of God” at the National Arts Centre
I first watched a brief version of Ethel at Fresh Meat 4, in 2015. Since then the piece has undergone immense reworking, and has become one of the most honest and touching personal explorations I’ve seen brought to any stage. Madeleine Hall has performed at the last two Fringes in a pair of (nearly) silent … Continue reading “Ethel” Two Years Later, Part Two
The Shakespeare authorship question. In this work, a companion piece to last year’s Shakespeare Crackpot, Creator/Performer Keir Cutler, playing an Oxfordian chapter Head stages a high-stakes video shoot with Brett Watson’s “renowned Shakespearean actor,” to strike a blow at the heart of the “Stratfordian” menace. If you’re unfamiliar with the idea of the debate around … Continue reading “Teaching Hamlet,” A Safe Play, Pass(es)