Undercurrents 2018 Launch: Undercurrents Gets Politcal

The undercurrents theatre festival has made a name for itself by trying to showcase some of this country’s boldest theatre performances here in the Capital city. Last year saw the exhilarating stage presence of Sébastien Heins and the bass-thumping Brotherhood: the Hip Hopera, not to mention the audio-adventure that was Ghost River Theatre’s Tomorrow’s Child. … Continue reading Undercurrents 2018 Launch: Undercurrents Gets Politcal

“Ordinary Days” Goes Small and Wins Big

Musicals, with their outrageous sets and costumes, 11 o’clock numbers, and dance breakdowns, aren’t a common sight at Great Canadian Theatre Company. Their current production of Adam Gwon’s Ordinary Days, however, shows that none of those things are necessary to produce quality musical theatre that still maintains a significant degree of theatricality. Ordinary Days follows … Continue reading “Ordinary Days” Goes Small and Wins Big

“Sir John A: Acts of a Gentrified Ojibway Rebellion” – a Review

Written by Ron Finnigan Edited by Ian Huffam Sir John A: Acts of a Gentrified Ojibway Rebellion is a play presented at the NAC from October 3rd to 14th, 2017. I had the pleasure of attending the performance on October 11th, which included a talk-back with the performers after the play. In the program handed … Continue reading “Sir John A: Acts of a Gentrified Ojibway Rebellion” – a Review

“King of the Yees”: A Noble Attempt at Merging the Social and Aesthetic on Stage

The latest production of the National Arts Centre’s English Theatre season, Lauren Yee’s King of the Yees, reminds me of the division between social drama and aesthetic drama that can help us to talk about the different ways in which we view and interpret theatrical productions. While this show is a boon to Artistic Director … Continue reading “King of the Yees”: A Noble Attempt at Merging the Social and Aesthetic on Stage

Fresh Meat 6: Weekend 2 Round Up

It happens. Sometimes when we feel super passionate about something we run the risk of biting off more than we can chew. Last week when we published our article for the first weekend of the Fresh Meat Theatre Festival, we brought up some issues that were far too big for one piece to thoroughly and … Continue reading Fresh Meat 6: Weekend 2 Round Up

Community Voices: Halloween Edition!

Check out our new video with Patrice Forbes from Dead Unicorn Ink where we go through some easy DIY stage blood recipes! https://www.youtube.com/watch?v=KG6AkeFav4E Ten Little Sinners returns to Ottawa on October 27th and 28th as part of the Fringe Encore series. Ingredients: Laundry soap (or dish soap), coffee (cooled), chocolate sauce, red food dye OR … Continue reading Community Voices: Halloween Edition!

Fresh Meat 6 Weekend 1 Round Up

Author’s Note: Last edited on October 16th, October 20th November 2, 2017. This article has been edited from a previous version to better articulate some critical analysis of Fresh Meat’s mandate for diversity.  These conversations are important to have and it’s important to choose our words carefully.  These edits reflect the author’s development in thinking … Continue reading Fresh Meat 6 Weekend 1 Round Up

“You Are Happy”: An enigma inside a Rubik’s Cube

by Ron Finnigan Edited by Brie McFarlane You Are Happy is an English translation of the Rébecca Déraspe play “Deux ans de votre vie” currently being presented at GCTC until October 8th, 2017. Upon entering the theatre, I was struck by the unusual set design which reminded me of a solved Rubik’s Cube with the … Continue reading “You Are Happy”: An enigma inside a Rubik’s Cube

“Educating Rita” is Relevant but Unfocused

Ottawa Little Theatre kicks off its 105th season with Willy Russell’s Educating Rita. The play centres around themes that are just as applicable to Ottawa in 2017 as they were when it first premiered in London in 1980, but the details of the script, such as the cultural references and English dialect, feel dated and … Continue reading “Educating Rita” is Relevant but Unfocused