Undercurrents 2018 Launch: Undercurrents Gets Politcal

The undercurrents theatre festival has made a name for itself by trying to showcase some of this country’s boldest theatre performances here in the Capital city. Last year saw the exhilarating stage presence of Sébastien Heins and the bass-thumping Brotherhood: the Hip Hopera, not to mention the audio-adventure that was Ghost River Theatre’s Tomorrow’s Child. … Continue reading Undercurrents 2018 Launch: Undercurrents Gets Politcal

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On Reaching Out to the Media

One of the great things about digital media is that it’s a lot easier and faster for the publisher to open up a dialogue with the public: updating a problematic sentence on a web page is simple and guarantees that future readers will see the corrected version, whereas the corrections in a newspaper, for example, … Continue reading On Reaching Out to the Media

Ottawa’s theatre criticism landscape is changing

By Tamara LaPlante On November 21, 2011, Iain Armitage posted his first theatre review to his YouTube channel: IainLovesTheatre. He was three years old at the time. After seeing a production of Hairspray at Signature Theatre, Armitage filmed a 34 second stand-up with his reactions to the musical. His channel is one example of the … Continue reading Ottawa’s theatre criticism landscape is changing

New Criticism & Writing From a Place of Privilege

Edited by Caitlin Gowans The hype around #Canada150 has seemingly come and gone and like many others, I spent Canada Day in reflection. On this occasion there was an outpouring of ‘think pieces’ from white individuals, myself included, stating their discomfort or feelings of awkwardness in regards to celebrating Canada Day this year because of … Continue reading New Criticism & Writing From a Place of Privilege

Happy Birthday to Me (or Blow Out the Candles, Make a Wish)

The New Ottawa Critics is celebrating its 5th birthday this week, so this Dark Day Monday Tuesday, we’re here to tell you a little bit more about our plans for the upcoming year and why we need your help more than ever. Over the last 5 years, the New Ottawa Critics and I have been … Continue reading Happy Birthday to Me (or Blow Out the Candles, Make a Wish)

The Collaborative Audience

It was brought to my attention last week that I was talking about theatre criticism as a collaboration between theatre artist, critic, and spectator without really exploring what that means. I touch on the relationships between these types of people a bit in the article on The Separation of Art and Critic, but I think it might … Continue reading The Collaborative Audience