It’s hard to believe that it’s already the end of the season for the Great Canadian Theatre Company. Coming in hot on the heels of the uber-enjoyable How Black Mothers Say I Love You, is Joan MacLeod’s Gracie- a cautionary tale about the dangers of blind faith, isolated (yet pervasive) cults, and festered patriarchy. On … Continue reading “Gracie” Fails to Engage on Stage Despite Textual Resonance
