“The Pipeline Project” Strikes Gold

  Ian: The Pipeline Project has a lot going for it: it’s well-written and -performed, it deals with issues that directly affect Canadians, and with Kevin Loring’s involvement it also serves as something of a teaser for the upcoming Indigenous Theatre stream at the National Arts Centre. What strikes me the most about this production, however, … Continue reading “The Pipeline Project” Strikes Gold

“Little Boxes” Has Giant Stage Presence

Ian: I have to say my first night at undercurrents 2018 really blew me away, with two mainstage shows that examine major issues bubbling under the surface of Canadian society and a workshop production that’s already taking its unusual premise in fun directions. The first show of the night was Little Boxes, an exploration of … Continue reading “Little Boxes” Has Giant Stage Presence

Moscovitch’s 1920s Drama Falls Short in 2018

“Girls have been written and represented in popular culture in many different ways. Most of these representations have been largely unsatisfying because they never get girlhood quite right. It is not possible for girlhood to be represented wholly—girlhood is too vast and too individual an experience. We can only try to represent girlhood in ways … Continue reading Moscovitch’s 1920s Drama Falls Short in 2018

Go See “Mr. Shi (and His Lover)”!

2018 might be off to a rather chilly start, but the even the sub-zero temperatures failed to keep theatregoers from attending the opening night of Macau Experimental Theatre’s Mr. Shi and His Lover at the National Arts Centre (playing until January 13th). Given the high accolades that this production has received coming out of Toronto … Continue reading Go See “Mr. Shi (and His Lover)”!

2017 In Review: What Have We Been Up To?

We’re at the point where a brand new year is around the corner and we find ourselves asking “what did we do this year?” In the spirit of a round-robin Christmas letter, we thought we’d let you know what our 2017 has been like… January proved to be an exciting start to the year for … Continue reading 2017 In Review: What Have We Been Up To?

Blind Date – Laughing at Someone Else’s Nightmare

by Ron Finnigan Edited by Brie McFarlane On December 6th, I was part of the "voyeurs" watching performer Tess Degenstein, in the role of Mimi, go on a blind date with a man named Paul selected seemingly at random from the audience. This was not rehearsed. Paul had no idea he would be chosen when … Continue reading Blind Date – Laughing at Someone Else’s Nightmare

EMBEDDED CRITICISM: Critics Become Stagehands for a Night

Blind Date @ GCTC November 30-December 17, 2017 Previews November 28 and 29 WHAT IS EMBEDDED CRITICISM? The traditional model for theatre criticism (and other art forms) involves a separation between artist and critic. The artist(s) create(s) a piece of theatre and present it, the critic attends the performance and writes their review, and never … Continue reading EMBEDDED CRITICISM: Critics Become Stagehands for a Night

Undercurrents 2018 Launch: Undercurrents Gets Politcal

The undercurrents theatre festival has made a name for itself by trying to showcase some of this country’s boldest theatre performances here in the Capital city. Last year saw the exhilarating stage presence of Sébastien Heins and the bass-thumping Brotherhood: the Hip Hopera, not to mention the audio-adventure that was Ghost River Theatre’s Tomorrow’s Child. … Continue reading Undercurrents 2018 Launch: Undercurrents Gets Politcal

“Ordinary Days” Goes Small and Wins Big

Musicals, with their outrageous sets and costumes, 11 o’clock numbers, and dance breakdowns, aren’t a common sight at Great Canadian Theatre Company. Their current production of Adam Gwon’s Ordinary Days, however, shows that none of those things are necessary to produce quality musical theatre that still maintains a significant degree of theatricality. Ordinary Days follows … Continue reading “Ordinary Days” Goes Small and Wins Big