2017 In Review: What Have We Been Up To?

We’re at the point where a brand new year is around the corner and we find ourselves asking “what did we do this year?” In the spirit of a round-robin Christmas letter, we thought we’d let you know what our 2017 has been like… January proved to be an exciting start to the year for … Continue reading 2017 In Review: What Have We Been Up To?

EMBEDDED CRITICISM: Critics Become Stagehands for a Night

Blind Date @ GCTC November 30-December 17, 2017 Previews November 28 and 29 WHAT IS EMBEDDED CRITICISM? The traditional model for theatre criticism (and other art forms) involves a separation between artist and critic. The artist(s) create(s) a piece of theatre and present it, the critic attends the performance and writes their review, and never … Continue reading EMBEDDED CRITICISM: Critics Become Stagehands for a Night

Cultural Exchange|Theatrefullstop

"Introducing a new segment to both Theatrefullstop and New Ottawa Critics. As two independent blogger collectives, we are both inspired by what theatrically is happening beyond our borders. Each month, we will correspond with all the latest happenings in our cultural cities. This is an opportunity to learn, be inspired, communicate and collaborate!"- Lucy Basaba, … Continue reading Cultural Exchange|Theatrefullstop

Happy Birthday to Me (or Blow Out the Candles, Make a Wish)

The New Ottawa Critics is celebrating its 5th birthday this week, so this Dark Day Monday Tuesday, we’re here to tell you a little bit more about our plans for the upcoming year and why we need your help more than ever. Over the last 5 years, the New Ottawa Critics and I have been … Continue reading Happy Birthday to Me (or Blow Out the Candles, Make a Wish)

The Collaborative Audience

It was brought to my attention last week that I was talking about theatre criticism as a collaboration between theatre artist, critic, and spectator without really exploring what that means. I touch on the relationships between these types of people a bit in the article on The Separation of Art and Critic, but I think it might … Continue reading The Collaborative Audience