“Snack Music” Satisfies The Creative Taste Buds

SNAFU dance brings a lively and energetic late-night offering to this year’s undercurrents festival with Snack Music, a highly physical show with heavy elements of improv comedy and object theatre: imagine telling an audience an embarrassing story about yourself and then watching three purple jumpsuit-clad actors retell it using food props and synthesizer sound effects. … Continue reading “Snack Music” Satisfies The Creative Taste Buds

Advertisements

“Forstner & Fillister” Level with Masculinity

Every year undercurrents usually brings back a few artists that have been involved with the festival before, but with Forstner & Fillister comes the only chance this year to see a show that has previously appeared as a work in development in the same setting. Everything you love about the previous undercurrents or even the … Continue reading “Forstner & Fillister” Level with Masculinity

“How to Disappear Completely”: A Deeply Personal Story that Shines a Light on Tech. Theatre

Itai Erdal’s How to Disappear Completely is completely non-fiction: partly a memoir on the deterioration of his mother’s condition after her cancer diagnosis, the show fascinatingly is also something of an intro to theatrical lighting design. Erdal keeps the connection understated between these two halves, so while at times the show seems to ramble, most … Continue reading “How to Disappear Completely”: A Deeply Personal Story that Shines a Light on Tech. Theatre

“The Pipeline Project” Strikes Gold

  Ian: The Pipeline Project has a lot going for it: it’s well-written and -performed, it deals with issues that directly affect Canadians, and with Kevin Loring’s involvement it also serves as something of a teaser for the upcoming Indigenous Theatre stream at the National Arts Centre. What strikes me the most about this production, however, … Continue reading “The Pipeline Project” Strikes Gold

“Little Boxes” Has Giant Stage Presence

Ian: I have to say my first night at undercurrents 2018 really blew me away, with two mainstage shows that examine major issues bubbling under the surface of Canadian society and a workshop production that’s already taking its unusual premise in fun directions. The first show of the night was Little Boxes, an exploration of … Continue reading “Little Boxes” Has Giant Stage Presence

2017 In Review: What Have We Been Up To?

We’re at the point where a brand new year is around the corner and we find ourselves asking “what did we do this year?” In the spirit of a round-robin Christmas letter, we thought we’d let you know what our 2017 has been like… January proved to be an exciting start to the year for … Continue reading 2017 In Review: What Have We Been Up To?

EMBEDDED CRITICISM: Critics Become Stagehands for a Night

Blind Date @ GCTC November 30-December 17, 2017 Previews November 28 and 29 WHAT IS EMBEDDED CRITICISM? The traditional model for theatre criticism (and other art forms) involves a separation between artist and critic. The artist(s) create(s) a piece of theatre and present it, the critic attends the performance and writes their review, and never … Continue reading EMBEDDED CRITICISM: Critics Become Stagehands for a Night

“Building the Wall”: A Character Study Exploring “Building” the Straw Man Argument

Robert Schenkkan’s Building the Wall, a speculative look at the near future of America under the Trump presidency, is a timely yet oddly underwhelming examination of the political situation our southern neighbours have regrettably brought upon themselves. Horseshoes and Hand Grenades Theatre present the Canadian premiere (playing at the Gladstone until December 3rd) of this … Continue reading “Building the Wall”: A Character Study Exploring “Building” the Straw Man Argument