IAN: STO Union’s The Twilight Parade is a genuinely impressive undertaking: a 70-minute hand-animated film entirely put together by local community members, while 8 voice actors provide live voiceover. This family-friendly (for the most part) show follows a young fairy-like creature and the residents of a small town as they address the lack of love … Continue reading “The Twilight Parade”: Looks Cool, but Comes On a Little Strong
Admittedly I was not super looking forward to a walking tour in this frigid hell we call the Capital City; however, Indigenous Walks marks an almost necessary experience for any individual in Ottawa- local or otherwise. Taking us around the Byward Market, our guide (re)introduced us to many Indigenous artworks seemingly hidden in the area … Continue reading “Indigenous Walks” Sets a New Pace for Canadian Art History
Ian: The Pipeline Project has a lot going for it: it’s well-written and -performed, it deals with issues that directly affect Canadians, and with Kevin Loring’s involvement it also serves as something of a teaser for the upcoming Indigenous Theatre stream at the National Arts Centre. What strikes me the most about this production, however, … Continue reading “The Pipeline Project” Strikes Gold
Ian: I have to say my first night at undercurrents 2018 really blew me away, with two mainstage shows that examine major issues bubbling under the surface of Canadian society and a workshop production that’s already taking its unusual premise in fun directions. The first show of the night was Little Boxes, an exploration of … Continue reading “Little Boxes” Has Giant Stage Presence
The undercurrents theatre festival has made a name for itself by trying to showcase some of this country’s boldest theatre performances here in the Capital city. Last year saw the exhilarating stage presence of Sébastien Heins and the bass-thumping Brotherhood: the Hip Hopera, not to mention the audio-adventure that was Ghost River Theatre’s Tomorrow’s Child. … Continue reading Undercurrents 2018 Launch: Undercurrents Gets Politcal
It happens. Sometimes when we feel super passionate about something we run the risk of biting off more than we can chew. Last week when we published our article for the first weekend of the Fresh Meat Theatre Festival, we brought up some issues that were far too big for one piece to thoroughly and … Continue reading Fresh Meat 6: Weekend 2 Round Up
Dear New Ottawa Critics, It was great learning about the Ottawa Fringe Festival here in the UK and what it means to creatives taking part. It would also be lovely to learn more about the [On the Fringe] documentary on the festival and where it would be available to watch over here as this would be of … Continue reading Cultural Exchange Vol. 2: Edinburgh Fringe
By: Alexandra Milman 39 Blyth Blvd, written by Cullen McGrail and directed by Izzy Solis Lozano, is an interesting production which could be outstanding with just a little bit more work. Performed as part of the 2017 Youth Infringement Festival , 39 Blyth Blvd is about the proprietor of 39 Blyth Blvd, Mrs. M, who throughout the … Continue reading “39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play
Dicky Dicky: Dream Factory, What’s it building? The thing that everyone talks about in this show is the fact that the performers put literal pillow cases over the heads of the entire audience, after making them sign a waiver saying that they are participating voluntarily in the show, and are ineligible for a refund. I … Continue reading “Dicky Dicky Dream Factory;” What’s it Building?
I had my first day off in 4 months after the Ottawa Fringe let out on June 18th. That day off was real nice. And now I’m supposed to wrap up the festival this year. I’ve been on the road doing theatre, both Fringe-y and not, since April, and I have no plans to really … Continue reading Do you miss Fringe?