“39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play

By: Alexandra Milman 39 Blyth Blvd, written by Cullen McGrail and directed by Izzy Solis Lozano, is an interesting production which could be outstanding with just a little bit more work. Performed as part of the 2017 Youth Infringement Festival , 39 Blyth Blvd is about the proprietor of 39 Blyth Blvd, Mrs. M, who throughout the … Continue reading “39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play

“Dicky Dicky Dream Factory;” What’s it Building?

Dicky Dicky: Dream Factory, What’s it building? The thing that everyone talks about in this show is the fact that the performers put literal pillow cases over the heads of the entire audience, after making them sign a waiver saying that they are participating voluntarily in the show, and are ineligible for a refund. I … Continue reading “Dicky Dicky Dream Factory;” What’s it Building?

“Teaching Hamlet,” A Safe Play, Pass(es)

The Shakespeare authorship question. In this work, a companion piece to last year’s Shakespeare Crackpot, Creator/Performer Keir Cutler, playing an Oxfordian chapter Head stages a high-stakes video shoot with Brett Watson’s “renowned Shakespearean actor,” to strike a blow at the heart of the “Stratfordian” menace. If you’re unfamiliar with the idea of the debate around … Continue reading “Teaching Hamlet,” A Safe Play, Pass(es)

“Don’t Go Down to the River” Flows; in need of more visuals

With Don’t Go Down to the River, JIG theatrecompany has created a compelling and dark homegrown mystery, but the minimalist one-woman show format they utilize undermines the power of the world built by the narrative. Under the guise of showing her house off to potential buyers, Grace Shaw relates the dark history of her family … Continue reading “Don’t Go Down to the River” Flows; in need of more visuals

“Tiny Dynamite” Showcase for Potential Ignition

Meraki Theatre’s debut production, Tiny Dynamite, shows off the obvious talents and artistic instincts of its three members, though the production suffers from a lack of compromise with the practical drawbacks of its venue. One of the three shows at this year’s Fringe based on a pre-established script, Tiny Dynamite was written by British playwright … Continue reading “Tiny Dynamite” Showcase for Potential Ignition

“The Chronic Single’s Handbook” or: A How-To Guide to Problematic Gender Relations

Randy Ross’ Chronic Single’s Handbook follows his decision to travel around the world on a self-exploratory journey to find inner peace and figure out why he can’t hold down a girlfriend – like Eat Pray Love, but with more hookers. Though the show offers a bawdy, male perspective on the idea of the journey of … Continue reading “The Chronic Single’s Handbook” or: A How-To Guide to Problematic Gender Relations

“Endlings” Makes a Start

*The third paragraph of this review (beginning “This script raises…”) includes spoilers. Local playwright Vishesh Abeyratne takes a bold step forward with Endlings, a post-apocalyptic tale in which human reproduction is strictly controlled by the state. Though it begins to engage with important issues such as the nature of desire and what is really in … Continue reading “Endlings” Makes a Start