Undercurrents 2018 Launch: Undercurrents Gets Politcal

The undercurrents theatre festival has made a name for itself by trying to showcase some of this country’s boldest theatre performances here in the Capital city. Last year saw the exhilarating stage presence of Sébastien Heins and the bass-thumping Brotherhood: the Hip Hopera, not to mention the audio-adventure that was Ghost River Theatre’s Tomorrow’s Child. … Continue reading Undercurrents 2018 Launch: Undercurrents Gets Politcal

Fresh Meat 6: Weekend 2 Round Up

It happens. Sometimes when we feel super passionate about something we run the risk of biting off more than we can chew. Last week when we published our article for the first weekend of the Fresh Meat Theatre Festival, we brought up some issues that were far too big for one piece to thoroughly and … Continue reading Fresh Meat 6: Weekend 2 Round Up

“39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play

By: Alexandra Milman 39 Blyth Blvd, written by Cullen McGrail and directed by Izzy Solis Lozano, is an interesting production which could be outstanding with just a little bit more work. Performed as part of the 2017 Youth Infringement Festival , 39 Blyth Blvd is about the proprietor of 39 Blyth Blvd, Mrs. M, who throughout the … Continue reading “39 Blyth Blvd” Mrs. M may forget Vivan but no one will forget this play

“Dicky Dicky Dream Factory;” What’s it Building?

Dicky Dicky: Dream Factory, What’s it building? The thing that everyone talks about in this show is the fact that the performers put literal pillow cases over the heads of the entire audience, after making them sign a waiver saying that they are participating voluntarily in the show, and are ineligible for a refund. I … Continue reading “Dicky Dicky Dream Factory;” What’s it Building?

“Teaching Hamlet,” A Safe Play, Pass(es)

The Shakespeare authorship question. In this work, a companion piece to last year’s Shakespeare Crackpot, Creator/Performer Keir Cutler, playing an Oxfordian chapter Head stages a high-stakes video shoot with Brett Watson’s “renowned Shakespearean actor,” to strike a blow at the heart of the “Stratfordian” menace. If you’re unfamiliar with the idea of the debate around … Continue reading “Teaching Hamlet,” A Safe Play, Pass(es)

“Don’t Go Down to the River” Flows; in need of more visuals

With Don’t Go Down to the River, JIG theatrecompany has created a compelling and dark homegrown mystery, but the minimalist one-woman show format they utilize undermines the power of the world built by the narrative. Under the guise of showing her house off to potential buyers, Grace Shaw relates the dark history of her family … Continue reading “Don’t Go Down to the River” Flows; in need of more visuals

“Tiny Dynamite” Showcase for Potential Ignition

Meraki Theatre’s debut production, Tiny Dynamite, shows off the obvious talents and artistic instincts of its three members, though the production suffers from a lack of compromise with the practical drawbacks of its venue. One of the three shows at this year’s Fringe based on a pre-established script, Tiny Dynamite was written by British playwright … Continue reading “Tiny Dynamite” Showcase for Potential Ignition