Written by Thea Fitz-James and Wesley Babcock WHAT IS DARK DAY MONDAY TO US? We planted our feet in Toronto, and put down roots. As performers and producers, we knew of many comedy spots, storytelling shows, and performance art showcases in the city. But we could think of few showcases that brought different performance forms, … Continue reading Dark Day Monday Meets Dark Day Monday
We’re at the point where a brand new year is around the corner and we find ourselves asking “what did we do this year?” In the spirit of a round-robin Christmas letter, we thought we’d let you know what our 2017 has been like… January proved to be an exciting start to the year for … Continue reading 2017 In Review: What Have We Been Up To?
One of the great things about digital media is that it’s a lot easier and faster for the publisher to open up a dialogue with the public: updating a problematic sentence on a web page is simple and guarantees that future readers will see the corrected version, whereas the corrections in a newspaper, for example, … Continue reading On Reaching Out to the Media
Check out our new video with Patrice Forbes from Dead Unicorn Ink where we go through some easy DIY stage blood recipes! https://www.youtube.com/watch?v=KG6AkeFav4E Ten Little Sinners returns to Ottawa on October 27th and 28th as part of the Fringe Encore series. Ingredients: Laundry soap (or dish soap), coffee (cooled), chocolate sauce, red food dye OR … Continue reading Community Voices: Halloween Edition!
While local baristas are preparing for the onslaught of PSLs headed their way, the Ottawa theatre community is gearing up for another year jam-packed with performances. Yes, September is already in full swing which can only mean the launch of new seasonal programming at numerous venues across the city (NAC, GCTC, La Nouvelle Scene, OLT, … Continue reading Upcoming Events 2017-2018
For many Canadian arts communities summertime usually means theatre in the park. This tradition, hearkening back to Ancient Greece, seeks to bring audience members out of the ‘black box’ and into the open air where the natural elements often heighten the artistic experience. Ottawa in particular is known for having a wide variety of theatre … Continue reading I Ain’t Sayin’ She a Gold Digger: A Brief Analysis of Odyssey’s “Amorous Servant”
By Tamara LaPlante On November 21, 2011, Iain Armitage posted his first theatre review to his YouTube channel: IainLovesTheatre. He was three years old at the time. After seeing a production of Hairspray at Signature Theatre, Armitage filmed a 34 second stand-up with his reactions to the musical. His channel is one example of the … Continue reading Ottawa’s theatre criticism landscape is changing
Edited by Caitlin Gowans The hype around #Canada150 has seemingly come and gone and like many others, I spent Canada Day in reflection. On this occasion there was an outpouring of ‘think pieces’ from white individuals, myself included, stating their discomfort or feelings of awkwardness in regards to celebrating Canada Day this year because of … Continue reading New Criticism & Writing From a Place of Privilege
I had my first day off in 4 months after the Ottawa Fringe let out on June 18th. That day off was real nice. And now I’m supposed to wrap up the festival this year. I’ve been on the road doing theatre, both Fringe-y and not, since April, and I have no plans to really … Continue reading Do you miss Fringe?
Are online theatre critics, or digital content creators in general, artists? To answer this seemingly rhetorical question, let me begin with a story: Not too long ago I found myself walking in a park in a quiet town in Germany and sat down by the edge of a pond, where I was greeted by an … Continue reading Online Criticism & Artistic Darwinism